Saturday, May 4, 2013

He has rested and risen; now he’s getting ready to EAT!



Need I say that the heart of every Greek holiday (not unlike just about every other culture I can think of) is the FOOD?!  Last night, about the time Ken and I headed to bed, our hosts went to church for the obligatory midnight moment: HE IS RISEN!  

That done, they came home to eat a huge meal.  (We are told some of the older folks actually fast most of the day.  For many others, “fast” is a relative term that, if applicable at all, describes having given up such things as meat, oil, sugar, etc.— not necessarily all of those nor for the entire Lenten period, which in Greece can extend to as much as 49 days, depending on particulars of the calendar we didn’t follow).


Today, Sunday, is going to be the traditional Easter bash, which means days of advance preparation.  In this case, it also means roasting an entire baby goat (our friends had lots of fun with the double meaning in English of “kid”).  Here's a few videos of the process.  NOTE VEGETARIANS PROBABLY DO NOT WANT TO VIEW THESE.









In addition to roasting the kid, our hosts made a traditional dish that Ken, my farm-raised sweetheart, looked forward to in a big way. Suffice it to say that I don’t eat “parts”—not even when they are all skewered together (heart, liver, stomach, lung, and a few other things I don’t remember) and then cocooned in intestine and roasted on a spit. (Yum?) I did, however, take a lot of videos of the process of preparing the goat and the. . . other dish.  Anyone so inclined is welcome to try this at home.  (Let me know how it worked for you.)

Here's "Greek Home Kitchen" demonstration of making "kokoretsi" (my best attempt at a transliteration):



Post script: Just as those of us who had spent the night (or live) in Sparti arrived at the farm, the metal spit--on which the goat had been rotisserie-ing for less than an hour--broke! The men-folk spent some time trying to improvise a splint with a thinner metal rod but even though they got it all the way through, the new setup clearly wasn't going to turn for the several hours required.  (It was binding somewhere inside the goat and the motor that turned the spit was laboring.)  

So they performed "surgery," cutting the goat into roaster pan sized pieces that could fit in the oven, and cooking resumed. 

He is . . . resting? Part II: Late Friday



After an enjoyable afternoon at a taverna by the sea, we decided to skip the village church and join the crowd in Sparta's main square.  



 Many people, young and old, were holding candles some of which had little drip-catcher attachments to keep hot wax from falling on hands or clothes.    

The Big Friday event began with services in four local churches, culminating with moving the “epitaphs” (new meaning of that word!) each church had built and decorated with flowers.  These represent Christ’s grave and each is more elaborate than the next (think of a miniature Rose Bowl float).  One of our Greek friends said this was the first one she had ever seen one that was also electrified--she said it make her think of Las Vegas. 



 The epitaphs are carried out of their churches and then lifted onto the shoulders of the carriers (in this case, there were several anxiety-provoking wobbles as they did so), and then carried to the central square by sufficiently hefty (one hopes) parishioners, preceded by robed prelates and their assistants carrying banners (see below) and followed by the faithful as they pour out of the church.  


Other folks, like us, skip the service and head directly to the central square, which was roped off around the four tables on which the epitaphs would be placed.  Surrounding the central square, of course, are cafes.  So at least half the “participants” are watching the goings on with their drinks or coffees in hand, children running around and across the square, families chatting with one another—more of an “open air marketplace” than a “solemn religious occasion” feeling.  (We liked that aspect.)


I also discovered the power of the camera.  Having both a still and video camera with me (one hung around my neck), I found I could move inside the rope barrier—I didn’t press it in terms of standing in middle of things, so I missed the straight-on photo of the dozen or so robed prelates (here's some fun back and side photos, though).  



But one skinny kid who couldn’t have been more than 11 was going everywhere and apparently shooting everything—with his baseball hat on backwards and his I-phone (or something similar) held in front of his face.  Though there were clearly official photographers moving through the main action, getting close-up shots of everything, no one could have confused him with one of them…still, no one challenged him, either. 


 













Below is a video of one of the epitaphs being placed on its table in the central square.  Behind the folks standing at the rope line are cafes full of others not entirely riveted by the spectacle.  In about the middle of the video, the lovely sound of the traditional chant gets louder, perhaps because more of the parishioners following the epitaph from the church have arrived in the square.

 
 One of the epitaphs is preceded by a uniformed brass marching band and then carried in on the shoulders of soldiers in camouflage uniforms.  Several other soldiers accompany the epitaph with their guns held upside down and pointing backwards.  I don't know if that was a safety measure or some other symbolism. 

Below are pictures of all four epitaphs, one in the top photo and three in the bottom photo.  However, in the second photo, the electrified epitaph is behind a flowered one (both are on the left of the photo)--unless you look closely, it seems as though the one in the foreground has an  the electrified crown.  









After the final epitaph arrives and is placed, all the robed prelates walk up to the front and begin a chant that many in the crowd also join into.


 

He is . . . resting? Part I (Early Friday)




Greek Easter is a multi-day phenomenon, bigger than in the U.S.  (In fact, what we call Holy Week is called Big Week here, which consists of Big [Greek: μεγάλη, i.e. megaly]—not Ash—Wednesday, Big—not Holy or Maundy—Thursday, Big—not Good—Friday, Big Saturday, and finally, Easter Sunday.)


Though half the population of Greece now lives in Athens, about 80 percent of Athenians leave to celebrate Easter in their (or a friend’s) ancestral village.  If you can leave Athens for Easter, you do.  The saying is “Christmas in Athens, Easter in the village.” 


We are visiting with a friend’s family in the Peloponnese area.  Their farm is a few kilometers from an urban center.  Because we drove here on Thursday, we didn’t witness Big Wednesday events.  Our Orthodox friends explained that instead of ashes, they are anointed with oil on the forehead, chin, cheeks, as well as palms and backs of both hands.  We were astonished to think of how long this must take for a church full of people, but we are told that fewer and fewer people actually do this any more—usually just the older generation who may take their grandkids with them. 


While still in Athens on Wednesday, we also passed on the street some folks who appeared to be Ethiopian; they had small crosses on their foreheads that looked as though they had been sketched with a charcoal pencil.  (When we asked about this, our Greek friends explained that the Ethiopian church, which with they were not familiar, might have its own traditions.)  Nor did we attend Thursday evening events, though our friend’s mother attended the village church.  


Friday, however, involves “obligatory” visits to family graves—we came along for what turned out to be a two-hours (plus) roundtrip.  While driving, we asked more questions about Greek funerary practices.  Our assumptions about cremation (see earlier post) were wrong.  Greeks do not generally cremate and a lawyer acquaintance was not sure if it was yet legal here.  Those few who wish to do so do have to send the bodies to Romania or some other nearby country; the ashes are then shipped back.  

When we asked about our earlier trip to the Athens cemetery and the burial sites which didn’t seem large enough for all the names listed on the marble coverings, we heard a couple of possible explanations.  In some cases, the names were part of the family record—but those who died in wars, for example, might be buried elsewhere.  (We forgot to ask about the criteria for inclusion on the “family” marble—was it a particular degree of consanguinity?  Did it include both maternal and paternal forebears?)  


Greeks also have a very practical approach to grave-sharing.  A burial plot is provided free (“by the government”)—for 7 years.  By the end of that time, the body has decomposed and the coffin has disintegrated. (Our friend did not understand the meaning of the word “embalming,” nor, when we explained, its purpose.  Caskets are made of simple wood which also disintegrates quickly.  The idea of thousands of dollars spent on a heavy-duty casket “built to last” was completely incomprehensible to our friends.  Cf.  Jessica Mitford’s The American Way of Death for a serious treatment of the subject, and Evelyn Waugh’s The Loved One, which was later made into a movie, for a hysterically funny send-up of the US funeral industry and its fictionalized but entirely recognizable icon, Forest Lawn.) 


 If someone else in the family dies after 3 years (the time required for sufficient decomposition) but  before the entire 7 years are up, the old bones are dug up and put into a smaller container which can be reburied with the new “occupant.”  Then 7 year clock starts over.  Clearly, timing is everything, and thereby hangs the tale of the grave we visited.


Ordinarily, one doesn’t worry about the burial arrangements until the need arises.  This fellow had pre-purchased his own marble plaque or slab (a covering lain over the grave, not what we might think of a headstone) and pre-etched it with his and his wife’s birthdates—the rest to be filled in when the dates were known.  (Our friends, who were his relatives, described this unusual behavior as “creepy”). 
  

However, his wife, who was younger than he, unexpectedly died before him.  She had been ill in the last few years of her life and had been given lots of medicines (from the story, we surmised they must have been antibiotics).  As a result, when he died, even though the minimum three years had passed, her body was insufficiently decomposed to be ready for sharing the space, and he had to be buried elsewhere (so much for advance planning).  Eventually, enough time passed that she could be "re-packaged" and was ready for her husband to join her, which he finally did.


The “honoring” of the grave involved our friend bringing another photo of the occupants to replace the one that a year’s weathering had faded substantially (despite the heavy plastic covering), new plastic flowers, and a fresh flowers picked in her own garden.  













The long-burning memorial candle was also replaced as well as the paraffin in the quicker-burning lamp, both of which were inside the tiny doll-house sized “chapel” at the head of the graveside (where we would expect a headstone to be).  Our friend struggled to get everything safely lit inside the tiny space.  (It’s considered bad form to burn down the graveyard as part of the annual obligation.) 

 
























An unexpected detail we noticed (it was quite common, though not universal): At the foot-end of the marble slab was etched a commercial—how to contact the company that had made the slab. 





Below is a video taken the following day.  Dimitra has finished honoring her father's grave (a ten minute walk from her mother's house in the village).  After she finished lighting the lamp and so forth, she showed us where the  "boxes" of old bones go, once they no longer are in the ground.  Plus we got the inverse of that old commercial: "Parents!  Do you know where your children are?"  


Wednesday, May 1, 2013

May Day!!!

May 1st is a widely recognized day of labor protest, though not so much in the US.  Given the current situation in Greece, it was clearly time for a general strike.  We heard this week that the unemployment rate here is 27.4 percent.  That is HIGHER than in the US at the worst part of the Depression (we heard this comparison on Fareed Zacharia's TV program a few days ago). 
 

 We had heard about it in advance (we even got emailed notification from the State Dept.!).  Though we hadn't planned to attend (we'd seen various other strikes since we've been here, when we went out for errands, we passed within a block of Syntagma Square (usually a focus of demonstrations) and thought we'd take a look. 

In anticipation, the police had closed down our usual path  through the National Gardens (because the Parliament Building is in the same property, though fenced off).  It was only 10:00 or so, and the crowd was just beginning to form. Most folks were taking advantage of the shade, waiting for the action to start.  As you will see from the various videos, it was an entirely peaceful holiday-in-May action, men, women, children, young and old. 

We kept going toward our destination, only to pass many more marchers going the other way. 
A half hour later, after we had run errands, we passed the marchers again!

Below are some still photos of the many signs we passed at various times. 

 According to Ken's best attempt at translation, this says "Build a Social Alliance"

 This is partly in response to a recent scandal concerning immigrant--mostly north African--strawberry pickers.  They protested their working conditions and the fact that they went unpaid for long periods--their "supervisors" opened fire and wounded about thirty people though fortunately none was killed.  Also the far-right, nativist party (we've mentioned it before in this blog) has made a lot of noise about illegal foreign workers (as though they were a cause of the economic problems!!)
This says  Marxism 2013: how we can change the world
 Some of the phrases in the hand-painted banner:  "The banks should pay" and "Committee of Residents of Glyfada" (a rather tony suburb of Athens); it also mentions a "burdensome levy" (i.e. tax).
 And this hand-lettered sign, which a woman carried over her head, says (more or less): "Three years and the traitors are still here. Where did the patriots go?  Let's all stick together."
 "Everyone take to the streets!"
 International Workers (of the or to the) Left
 Something about "unemployment," "one-way street," and "overthrow"
"Let's take history in our hands."  "Overthrow them."


This one was not part of the regular parade route. It was on the grounds of a museum.  Of course, we don't know that it was put up just for the May Day action...it could have been there for quite a while.  It says, "Open your eyes--they want them closed."

Cycladic Art

A week or so ago, while Kathleen flew off to England for a few days to see some old friends, I went  museum-hopping.  One of the museums that turned out to be a lot more interesting than I thought it would be was the Museum of Cycladic Art.  The Cyclades are a group of islands southeast of Athens, close to the mainland (at least compared to some of the other island groups); Mykonos and Santorini are probably the most well-known.  Long before the "classical" Greek era that we're all more or less familiar with (around 500 - 300 B.C. or so; i.e. the Athenian ascendancy to power and influence, Socrates, Plato, Aristotle, etc.); long before Homer (~800 or so B.C. ?), long before the Myceneans and Troy that Homer wrote about (1600-1200 B.C.); before the Minoans (~2000-1600 B.C. or 2700-1600 B.C., depending on what you count as the start of their civilization) there had developed a fairly sophisticated culture in the Cyclades.  The museum exhibit covered just a few years (3200-2800 B.C.) of what is called the early Cycladic period.

The artifacts most associated with Cycladic art are sculptured female figurines, of all sizes from an inch or two high to almost full life-size.  Here are a couple examples (but nearly all the others have a similar presentation/look/feeling)




You can't tell from the photos, because I zoomed to fill the frame, but the second one of these is only a few inches high, while the first one is 1.4 meters high.

Nearly all of the figurines have traits in common.
--Female
--Stylized.  Few features in face (nose only), body (breast, suggestion of pubic triangle in most cases)
--Very straight legs
--Right arm under left arm (!?), and nearly always with no (or very little) space between them
--about 5-10 other details that I don't remember

What strikes me about them is the sense of abstraction that comes from the stylization--i.e. they feel modern.  But they also feel old; they remind me a bit of the Easter Island statues.  Maybe timeless is a better description.

Nobody knows for sure what their purpose was.  Some have been found in graves, so a theory is that they were specifically something to accompany the dead.  Also, maybe just family heirlooms passed down (seems weak to me).  I like the theory that they were fertility figures (cf. breasts and pubic triangle).  In any case, there were lots of them produced over about a 500-year period.  I believe I have read that about 1400 are extant (only 40% are of known provenance, because grave robbers didn't document what they took!)
 
I love seeing this enduring style, but I also love exceptions.  So, now that you have the idea, check these out:






The first of these three is pretty standard; what made it interesting is that is an example (the first, I think I read, at least in this time/era) of an attempted repair by pinning.  You can't see in the photo, but there is a vertical drill hole at the bottom of the broken-off leg.  

The second is quite unusual, partly because the figure is seated (hardly the only example of such a figurine), but mostly because of the extended arm holding the cup.  Also, very differently-shaped face.  

The last one has been dubbed "The Thinker."  It's broken, and maybe was modified--don't remember.  The explanation at the museum wasn't at all clear to me, something about how the legs were originally drawn up as a place to rest elbows.....  But I found that there is a similar piece at a museum in Germany which is called the Harp-player; it makes me wonder if that's what this is, too.

Following is another highly unusual figurine.  It was in the same case as some of the others I just showed, so I gather than it has some commonality, but it has one strikingly different feature: a snake head!  That's not too clear--it wasn't really that clear in the museum, either; it's only about 3+ inches high.





Now for the biggest surprise of the bunch of the figurines in this museum:


This one is unusual for at least two reasons.  The one that is most striking is that it is male.  Not unheard of, but VERY unusual.  Second is that the arms are not touching.  Again, not unheard of, but VERY unusual.  

Now that you've seen all the pix I took, go back and look at the first one, the one that is 1.4 m high.  It actually is pretty unusual, too: it has more sense of motion that almost any other.  The shoulders slope slightly, the hips are tilted a bit, there is just a general assymetry that gives a the whole body a feeling of motion.

 
Below are a couple pieces that I'm including because I just loved them.  The multiple-cup vessel is not that unusual, but it was a particularly lovely example.  And the pig-vessel is just too charming!  :)






Lastly, two more little sculptures that I love.  These were on another floor and I don't remember whether they were Cycladic, but I don't think so.  I don't remember much about them, just that they are called Phi- and Psi-figures/sculpturees, for their resemblance to the Greek letters phi and psi.